All posts in Geek

Cyberspace

“Cyberspace. A concentual hallucination experienced daily by billions of legitimate operators, in every nation…A graphic representation of data abstracted from the banks of every computer in the human system. Unthinkable complexity. Lines of light arranged in the non-space of the mind, clusters and constellations of data. Like city lights, receding…”

That’s the definition of Cyberspace from William Gibson’s science fiction novel, Neuromancer. He coined the term in 1984 when the book was published, but it isn’t until recently that the concept has come into popular use. Nowadays, there are few books written about virtual reality and the Internet that do not refer in some way to Gibson’s original vision.

But what is this “Cyberspace” exactly? Well, the more romantic and science-fiction-based version of Cyberspace is this computer-generated universe that can be accessed through a computer or even a cable that plugs right into your head. In this other world, all the computer systems of the world are represented by abstract icons. For instance, a certain bank computer might look like a giant pyramid with dollar signs orbiting around it. The computer for a large corporation might look like a digitized version of the company headquarters. All of these systems would be seen floating in a blue-black void criss-crossed with lines of neon light. This is often referred to as the Matrix or the Web.

Interestingly enough, Gibson’s idea was so very much like our present day Internet, or Information Superhighway, that many people find it helpful to refer to interaction on the Internet in terms of Gibson’s Cyberspace. The idea is so intriguing to some people that they have begun to use the book Neuromancer as an agenda for how today’s computer systems should work.

The Internet originated as a host of very powerful computers linked together by the Government for purposes of national defense. Since its beginning, many universities, research centers, government agencies and commercial businesses have been added to the network. All of these systems have actual physical locations, but in the computer realm, they are all next door neighbors. In cyberspace, everything is within walking distance, if you have the time.

So there’s this idea of all these places floating around in an electronic void. Because it is so abstract, it is convenient to talk about events on the Internet as though it were a real physical reality. For instance, I might say that I logged onto the VAX but then left DePauw and went to Oberlin to root around for some song lyrics. After that, I stopped off at NASA to check out some satellite photos. While I was there, a friend of mine from Australia called me and we chatted for about half an hour. All of these things happened without me actually going anywhere. But isn’t it much easier for me to relate this information to you without using all the computer jargon that there would be without the metaphor of Cyberspace?

If the Internet can be made easier to understand, then more people will use it and the world will benefit from the spread of ideas and the interaction of so many people. This brings me to another term that doesn’t get tossed around as much as “Internet” or “Cyberspace” and that term is the “DataSphere.” This is another way of saying “all the information in the world.” Theoretically, every computer in the world can access the information on any other computer. That’s a lot of stuff! Think of all the books, music, art, scientific research, subversive literature, social commentary and other such things that must be out there. That’s all part of the DataSphere. Think of the DataSphere as the Earth. The Internet is the highway you use to travel around the DataSphere and Cyberspace is the universe in which the planet exists.

In an effort to make all this information more accessible for even the most computer-illiterate individual, programmers have created useful computer tools to help you navigate your way around the Internet. One of these tools is a program called “Mosaic.” It’s called Mosaic because the Internet is like a collection of millions of small pieces patched together to form a big picture. With Mosaic, every place you visit on the Internet is represented by a picture. You can use a mouse to just click on a place you’d like to go or information you’d like to receive. It lets you see pictures, watch short movies and listen to sounds and music. It’s trying to bring the technical world of the Internet towards something more familiar and friendly-looking.

Computerists and fans of William Gibson alike are also working on a virtual reality interface for the Internet. This idea involves wearing a special helmet that would allow you to actually see computer-generated images of the systems you’re visiting, just like in Neuromancer. You’d just float along, picking up information you want and displaying it on the helmet’s screen.

But this is in the distant future. Something that will happen a bit sooner is direct Internet connections to everybody’s house. Along with cable television, you will be able to have direct access to the Internet through a new fibre optic cable system that is now being tested in various parts of the country.

You may be aware that a similar fibre optic network will be installed here at DePauw next year. This will bring cable television and VAX access to every dorm room and Greek living unit. This represents a huge technological leap into the early 21st century. Students will be able to do everything from their rooms, even watch videos instead of going over to the library and sitting in the IMS media classroom. Imagine a future where video conferencing technology allows you to go to class without going to class. You see your professor on the screen and all your class notes and papers are sent back and forth over the cable. The way we go to college may change drastically in the next ten years.

Although someone else is creating this technology, we are the generation that will use it and make decisions about how it will be used. Maybe the virtual classroom isn’t such a good idea. If there’s so many good uses for the Internet, then there must be bad ones as well. Who will make the rules? Will there be any? As interaction in cyberspace becomes more widespread, will we start to lose contact with the real world? These are the questions that will face us in the 21st century.

“Have you ever checked out a book on the other side of the world?”

“YOU WILL.”

“Have you ever renewed your driver’s license from a bank machine?”

“YOU WILL”

“Have you ever installed a phone on your wrist?”

“YOU WILL”

Have you ever been directly involved with making decisions about how technology will affect your life, your generation and the world, for better or for worse?

You will.

Books I Read in 1994

(2.75 Books/Month Average)

1. The Four Loves
2. The New Hacker’s Dictionary
3. Short Cuts
4. Fifth of July
5. The Cherry Orchard
6. Dragolin
7. The Little Prince
8. American Buffalo
9. The Three Sisters
10. Zen and the Art of the Internet
11. Early Warnings
12. The Portable Chekhov
13. My Cousin, My Gastroenterologist
14. Mirrorshades
15. Needful Things
16. Virtual Light
17. Dune
18. Parables and Paradoxes
19. Dune Messiah
20. Children of Dune
21. Principia Discordia
22. Black Water
23. The Zentraedi Rebellion
24. Physics for Poets
25. Batman: The Dark Knight Returns
26. Dark Empire
27. Sandman: Preludes and Nocturnes
28. The Crow
29. Akira Vol. 2
30. Sandman: The Doll’s House
31. Akira Vol. 3
32. Sandman: Dream Country
33. Sandman: Season of Mists

Books I Read in 1993

(3.3 Books/Month Average)
1. End of the Circle
2. Foley’s Luck
3. Tea & Sympathy
4. The Golden Ass
5. The Princess De Cleves
6. A Midsummer Night’s Dream
7. Candida
8. Agamemnon
9. Romeo and Juliet
10. Lysistrata
11. Getting Beyond “How Are You?”
12. Hedda Gabler
13. The Farlander Papers
14. The Merchant of Venice
15. C.S. Lewis and His World
16. The Cherry Orchard
17. The Three Sisters
18. Much Ado About Nothing
19. Henry IV, Part I
20. Long Day’s Journey Into Night
21. Summer and Smoke
22. A Streetcar Named Desire
23. Cat on a Hot Tin Roof
24. Hamlet
25. Orlando
26. The Trial
27. Who’s Afraid of Virginia Woolf?
28. King Lear
29. Curse of the Starving Class
30. Jazz
31. Equus
32. Burn This
33. Anna Karenina
34. Neuromancer
35. The Novel
36. Jurassic Park
37. Count Zero
38. The Lies We Believe
39. The Last Command
40. A Chorus of Stones
41. Burning Chrome
42. Mona Lisa Overdrive

Books I Read in 1992

(1.7 Books/Month Average)
1. Johnathan Livingston Seagull
2. The New Testament
3. Leaving Home
4. The Lion, the Witch and the Wardrobe
5. The Horse and His Boy
6. Prince Caspian
7. The Voyage of the “Dawn Treader”
8. The Silver Chair
9. The Last Battle
10. Mere Christianity
11. Dark Force Rising
12. The Devil’s Hand
13. Know Why You Believe
14. The Glass Menagerie
15. The Old Testament
16. Dark Powers
17. The Tempest
18. Death Dance
19. World Killers
20. Rubicon

The Life of Whose Mind?

Have you ever considered what part of you anatomy you might sell in exchange for two hours’ time spent inside another person’s mind?  I don’t mean the body swapping bit; I’m talking about sitting smack in the middle of a person’s imagination, their own private world.  You just lean back in a comfy pile of grey matter, popping down Raisinettes, while you experience the horrible wonders projected before you in the mind’s eye.

Everybody still with me?  Good.  Because I have quite a peculiar journey to set before you.  Ladies and gentlemen, I submit for your inspection Barton Fink, the latest venture from those maverick film producers, the Coen brothers, Joel and Ethan.  I presume that most of you are already familiar with the Coens’ work and that anyone with a soul has probably already experienced this film.  (Here I address the faithful readers of Mosaic and not the 9-to-5 layman queebs who somehow skagged a copy).  So, if you came looking for a formulaic, cookie-cutter dissection of this film, let me kindly point you in the direction of The New Yorker or The Nation, and I’ll pick up where I left off.

Sure, the film raked it in at Cannes and both Turturro and Goodman command the silver screen like veterans, but what do we have to do with such things?  We only know what we have experienced, what we have seen and felt!  So let’s talk about what the film means to us and to our community in particular.

The movie Barton Fink takes place entirely in the perspective of a single mind.  “Whose mind?” you ask.  Hold that thought and file it away for later.  From the opening frame, our new reality which we will experience for the next two hours is defined.  We realize shortly that it is a world of stereotypes, with characters made out of plastic.  Barton himself is a cardboard punchout of Clifford Odets.  The snooty couple at the restaurant, the movie producer Jack Lipnick, the spooky bellboy — they all play upon caricatures which we have stored in our minds.  It is this reason that makes them amusing.  We see them portrayed in flesh and blood, and it is for that reason they become grotesque.

So from the very beginning, a sense of unreality is hinted at.  As the film progresses, is seems that nothing is withheld from the viewers, all is laid bare.  It’s as if we had a copy of the script and could read the character’s thoughts and intentions.  This also lends to their plasticity.  Yeah, at first it seems as though Barton may be a really good writer with high ideals about a “theater for the common man,” but this view is easily toppled when we see that he ends up writing the exact same story in the end as he did in the beginning and he really doesn’t give a flying rat’s ass about the common man.  It’s all so, well… obvious.  While many will be tempted to expound upon what this says about Barton as a writer and writing in general, why don’t we take the path less traveled and see where it takes us.

I think that the Coens have tried to play a clever trick on us.  They called the movie Barton Fink and Barton’s face occupies the majority of the celluloid, but the story really isn’t about him at all.  Barton is rather a focal point for us, an excuse to be in this dream world in order to learn a lesson.  You see, there’s just too much eye candy in the movie which steals our attention away from Barton for him to be all that important.  I’ve already mentioned the colorful supporting characters.  Then there’s the wallpaper curling off like the world falling apart, Barton stepping into Charlie’s shoes, the drain shot when Barton’s life really goes down the drain, the Bible transforming into his script, the hotel burning with the flames of Hell, etc.

One could go the route of the ridiculous and say that this is all exaggerated metaphor, but I’d like to take it deeper than that.  You’ll have to break out the mental floss for this one, folks, so bear with me.  I’d like to suggest that the film has carried the “Life of the Mind” motif throughout the entire “story” to the point that the movie itself becomes a mind.  Think about it.  Aren’t caricatures and metaphors translated from images in the imagination?  In the film, we are seeing these images literally brought to life, as the affairs of the mind are faithfully translated to the screen.  Barton’s world seems like it is falling apart, so the wallpaper starts to peel.  His life goes down the drain, thus the camera shot.  His life is becoming like Hell, so FWOOSH!, he’s in Hell.

Remember that thought I told you to file away earlier?  Well, bring it back out because it’s time to examine the question “Whose mind is it?”  Is the film a reflection of Barton’s own mind?  Or does it reflect the opinions of the Coen brothers, what they see in their heads?  Or is the answer closer to home?  Enter Charlie Meadows (played by John Goodman), whom I believe to be the magnetic North of the film.  He’s the anomaly in the movie.  At first glance, he appears to be just like the other standard cut-out characters and we seem to be able to read him fairly well.  Like Barton, we tend to dismiss him, thinking that he’s just a jovial insurance salesman.  But we’re dead wrong.  We see Meadows unmasked as a psychotic murderer.
We are taken aback, for we realized that, like Barton, we didn’t really listen to Charlie.  Instead we paid our attention to Barton and what he was doing.  Barton claimed that, as a writer, he created.  But we all know that he created only delusions of grandeur and misconceptions of the common man.  We, with Barton,  failed to consider the life of Charlie’s mind, as we so often overlook the minds of those people we see every day, the people we think we know so well.  I believe that the mind in question is our own, ladies and gentlemen.  Barton Fink is a cautionary tale directed towards our society.  It shows us that we, like Charlie, all have a private war inside of us.  As in the climax of the film, if we stop to look and listen, we will see a smiley-faced bandage torn away to reveal the gaping wound festering underneath.

Barton Fink presents us with a radical departure from the beaten path of mainstream cinema and at the same time challenges us to examine our own minds.  What carbon copy caricatures have we mentally set up in place of the flesh and blood souls that walk the streets with us?  What pie in the sky ideals have so ensnared our attention that we fail to notice the “common man?”  Will we dare to see the life of the their minds?  And more importantly, will we listen?

Books I Read in 1991

(2 Books/Month Average)
1. The Stand
2. Illusions
3. The Princess Bride
4. All I Really Needed to Know I Learned in Kindergarten
5. 666
6. Return of the Native
7. The Magician’s Nephew
8. This Present Darkness
9. Do You Have a Guardian Angel?
10. The Deep Things of God
11. The Authoritative Calvin and Hobbes
12. It Was on Fire When I Lay Down on It
13. The Heart of the Matter
14. Heart of Darkness
15. Annie John
16. The Difference Engine
17. Tapping the Source
18. The Screwtape Letters
19. A Grief Observed
20. Misery
21. The Great Divorce
22. Life’s Little Instruction Book
23. Heir to the Empire
24. The Complete Frank Miller Batman

My Computer Games

Action Games
3-K Trivia
4th and Inches
688 Attack Sub
Aaargh!
Airball
Altered Beast
Atomix
Block Out
Airborne Ranger
Ancient Art of War
Archon
Axe of Rage
Battle Chess
Battle Chess II
Battlehawks 1942
Blue Angels
California Games
Championship Boxing
Covert Action
Dark Castle
Dawn Raider
Deathtrack
Digger
Double Dragon
Dragon’s Lair II
Echelon
Elite
F-15 Strike Eagle II
F-19 Stealth Fighter
Falcon A.T.
Ferrari Formula One
Flight of the Intruder
Gauntlet II
Ghostbusters II
Golden Axe
Grand Prix Circuit
Grave Yardage
Gunship
Heavy Barrel
Impossible Mission II
Indiana Jones and the Last Crusade
J-Bird
MechWarrior
Moonbase
Netherworld
Night Mission Pinball
PCPool
Powerdrome
Prince of Persia
Punisher
Rampage
Resolution 101
Robocop
Rorke’s Drift
Shogun
Sim City
Sky Runner
Star Control
Star Trek V
Star Trek: Rebel Universe
Stellar 7
Stormlord
Stun Runner
Tapper
Test Drive
Test Drive III
Tetris
Thexder
Thexder II
Three Stooges
Time Bandits
Tongue of the Fatman
Tracker
Tunnels of Armageddon
TV Sports Football
UFO Flight Simulator
War in Middle Earth
Wild Streets
Wing Commander
Winter Games
Xiphos
X-Men II
Zany Golf
Zeliard

Adventure Games
Bard’s Tale
Bard’s Tale II
BattleTech
BattleTech II
Black Cauldron
Bureaucracy
Crimewave
CODENAME: Iceman
Dracula in London
Fellowship of the Ring
Hero’s Quest I
Hillsfar
Hitchhiker’s Guide to the Galaxy
The Hobbit
Indiana Jones and the Last Crusade
Infidel
Keys of Maramon
King’s Quest I
King’s Quest II
King’s Quest III
King’s Quest IV
King’s Quest V
Knight Orc
Leisure Suit Larry I
Leisure Suit Larry II
Leisure Suit Larry III
Mean Streets
Megatraveler
The Pawn
Police Quest I
Police Quest II
Pool of Radiance
Sentinel Worlds I
Space Quest I
Space Quest II
Space Quest III
Spellcasting 101
Starflight
Star Trek: The Kobayashi Alternative
Star Trek: The Promethean Prophecy
Transylvania
Trinity
Ultima VI
Where in the World is Carmen San Diego?
Zyll

Books I Read in 1990

(1.75 Books/Month Average)
1. The Little Foxes
2. The Return of the King
3. Replay
4. For Love of Evil
5. The Tempest
6. The Crucible
7. Brave New World
8. Time of the Twins
9. The Turn of the Screw
10. The Slave Dancer
11. Heart of Darkness
12. A Good Man is Hard to Find
13. The Loved One
14. Scoop
15. A Handful of Dust
16. War of the Twins
17. Test of the Twins
18. Christine
19. The Magic of Krynn
20. Heart of Darkness
21. The Importance of Being Ernest

A Window on the Soul

People are like churches: their stained glass windows sparkle and shine when the sun is out, but when the darkness sets in, their true beauty is revealed only if there is a light within.  A weary traveler, worn with the stains of a long journey, has come in search of refuge for the night.  From the road he sees two churches perched atop two hills.  Both seem immaculately designed, stained glass windows catching the sunlight like diamond facets.  Either appears as a comfortable place which would welcome wayfarers such as he.  Choosing the nearest one, he wanders up the hill and enters in. Continue reading →

Books I Read in 1989

(1.75 Books/Month)
1. Misery
2. Forging the Darksword
3. Sorcery! Spell Book
4. Doom of the Darksword
5. The Toynbee Convector
6. The Triumph of the Darksword
7. Darksword Adventures
8. The Winter’s Tale
9. A Connecticut Yankee in King Arthur’s Court
10. In the Flesh
11. Arsenic and Old Lace
12. The Silmarillion
13. The Hobbit
14. The Gunslinger
15. The Drawing of the Three
16. The Fellowship of the Ring
17. The Red Badge of Courage
18. The Two Towers
19. Bearing an Hourglass
20. With a Tangled Skein
21. Wielding a Red Sword